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From Phantom to Matter

photo of a ship in the mist


By the time I got to the ferry terminal, the bluster had picked up. Way up. The Apollo had not yet docked, and could not be seen, as the strait was clotted with a fog as thick as pease pudding. I checked in at the terminal office, where no one knew what was going to happen. I was assured the Apollo was just offshore, out there in the pease pudding. I prepared myself for a lost day, splitting time between reading a book in the pickup, and standing in the bluster on the edge of the wharf, looking for some sign of the ferry, some attempt by it to get close enough for us to cast our hope to one another.

And then, after an interminable and dismal wait, the Apollo slowly appeared out of the fog, an apparition in transit from phantom to matter, gathering detail real and imagined. At first it was the ghost ship of the Flying Dutchman, then a three-master 150 years late from a whaling voyage, and penultimately a World War II merchant vessel come in from its dance with a German submarine. The Apollo was all of these, beyond its allotted time, unable to dock, condemned to wander in sight of land as the wind and the captain stared each other down.






Richard LeBlond is the author of Homesick for Nowhere, a collection of essays that won an EastOver Press Nonfiction Prize in 2022, and was a finalist for general nonfiction in the Spring 2023 San Francisco Book Festival. His essays and photographs have appeared in many U.S. and international journals, including Montreal Review, Weber – The Contemporary West, Concis, Lowestoft Chronicle, Trampset, and Still Point Arts Quarterly. “From Phantom to Matter” is a fragment from the essay “Duel on the Strait” that appeared in Jonah Magazine in 2015. He is a retired biologist living in North Carolina.

You can see more of his work in issues 7.1 and 3.2









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